This over shoulder shot here puts us in the position of the character to help us empathise with her. The slight high angle makes her seem vulnerable and adds a sense of foreboding, as if she is being watched. The style of the window gives the impression of a cage and again works as foreshadowing of something being amiss and the lack of clarity as to what the is builds mystery. Natural lighting combined with mundane looking surroundings work to show the genre of the film as a drama.
This two shot tells us about the passion of the couples relationship, they are both wearing warm colours which contrast against the grey colours of the backdrop. The colours themselves tell us about the dynamics between the colours, the red of Dylan's top shows his volatility and aggressive nature while Jennifer's pink top shows her as being loving and sweet. The fact that he has a much more intense colour also makes it seem as if he is more committed to the relationship than she is which combined with the cage like framing of the shot gives the impression of this relationship being a trap.
Here the moods of the characters are reflected by the lighting of the shot, Dylan's side of the shot is is much brighter to reflect his anger and passion while Jennifer's side is darker showing her sadness and fear. Jennifer is wearing white to show her innocence and make her seem vulnerable while Dylan is wearing grey to show his moral ambiguity. The setting is an everyday location making the characters situation seem more familiar to audience members, it also gives it an element of real life grit.
Here we have a high over shoulder shot, positioned so that Dylan is towering over Jennifer making her seem as vulnerable as possible. It also makes her look trapped and frames the shot so that the attention is drawn to the scared, shocked expression on her face. His shadow also takes up a large portion of the shot reflecting the darkness of his soul. The white walls emphasise their emotions which are in turn enhanced by the colour of their clothing. Dylan is in red for anger and passion while Jennifer wears grey to show her fear and confusion.
 
This low angle shot is to represent Jennifer's defiance as she stands up to him, this plants the seeds of the idea that she might fight back into the audience's minds. The dark doorway behind Dylan is foreshadowing of his ending, that he has his back to it shows his ignorance of what Jennifer may do if pushed too far. This is one of the few times we see Jennifer as possibly being dangerous and it is a fast paced shot showing her own volatility, floating the idea that she might at some point snap.
 
The extreme close up of Jennifer's eyes shows her hidden desperation and brings the audience closer to her as a character, making them sympathise with her and feel anger at Dylan for doing this to her. We wanted to have the lighting very low here to reflect what an emotional low point this is for her. This comes as an important point of the story as it shows her effectively broken. The heavy eye makeup shows her devastation at how her life and relationship has turned out.
This close up was shot along the counter surface to show the magnitude of such a small action, in picking the knife up she has decided to try and incapacitate him so she can escape. This is also why only really her hand is visible, this action is what defines her here. some of the light that was previously on Dylan's side of the room is now on hers as she loses control of her own emotions. The knife contrasts with the magazine showing the two sides to her character, her domestic, everyday side which is what we have seen predominantly so far and her explosive and unpredictable side which has now come to the forefront and taken over her actions.
The bright colours of this shot show that at the moment the relationship is in a positive phase and the location is clearly one of a school making it both easy to set the scene and for the audience to empathise with the scenario. While this is overall a positive shot it could be noted the he isn't making eye contact while she is showing how she is more genuine than him.
 The monochrome titles are conventional of a drama, as is the font which is in quite a classical style but is decorative enough to hint at the romance element of the film. It will also appeal to our target audience which is mostly female.